Review by David Jenkins daveyjenkins. This sublime teen romance evokes the heady passions that come from choosing between love and learning. The first is a short and simple recollection of youth as intoned to a semi-clad bedside companion, offering hearty context for the ensuing two chapters. Dedalus recounts the tale with fond enthusiasm, knowing full well that his reckless abandon as a teenager could hardly be held against him now. The final and largest part of the film charts the tumultuous, provincial love affair between young, up-for-anything Paul played by Quentin Dolmaire and the lissom local man-eater Esther Lou Roy-Lecollinet , who is two years his junior.
Type keyword s to search. He dies, right? Dumplin' Six film teenagers we wanted to be. It's slightly embarrassing how much I really enjoyed reading this book when it came out. Such mastery, such passion, such control. Clear eyes, full hearts, can't lose. Other than that, I have a new list of 80's films to watch now. My favourites are always the ones that are not necessarily the biggest but really struck a Golden teen movies with me. But somewhere along the way, things go off the rails and Golden teen movies just begins to feel like one giant list of brief synopses of every teen eighties movie there is.
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Far from fluff, the parties in these films serve as ground zero for complex social negotiation—especially for young female characters struggling to navigate the chaotic and often messy project of adolescence.
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Chris Fennell Updated: 19 January Clueless For his Kickstarter-funded debut feature, he trawled through over teen movies from this period to compile a roving visual essay celebrating and deconstructing the tropes of his favourite genre. We spoke to him about rewatching hundreds of teen movies, his favourites, and the importance of nostalgia. I just completely absorbed them into myself without questioning them in any way.
Mean Girls So you found the whole process nostalgic then? Putting it all together, revisiting your adolescence a little bit at a time…. Yes, totally. It was always important to us not to write off the importance of that nostalgia because it is one of the defining characteristics of rewatching these films.
Hopefully the film itself elicits as much nostalgia itself as it does intrigue. Some older viewers may be surprised that you left out the 80s teen movies for example. Why did you decide to do this? We knew we needed to zero in to some extent because we were trying to create an immersive world.
We knew we wanted to focus on a specific era and naturally for me that was the one I felt like I had the closest connection to. Also, in the 90s and 00s there was such a wide range of teen movies being produced. That was very interesting because you could look at these very idiosyncratic films that were built for this body of work. Charlie Lyne Credit: Katy Dillon. There are some movies you feature which many would not automatically identify as teen movies.
What are the elements that you think make up a teen movie? Our one criterion really was that a film needed to tackle in some way the idea of adolescence: the passage from childhood to adulthood. Beyond that we played a bit fast and loose with technicalities because it just seemed pointless to come up with a strict set of rules.
People always have their own specific definitions but for us it was just important that everything we used spoke to adolescents. It was by no means an intentional decision. Idle Hands Growing up for me was kind of growing up through the prism of American teen movies even though they actually had so little relation to my actual adolescent experience. Do you think these films are successful because they provide an accurate depiction of the real lives of teenagers?
Or do you think they provide a distinct set of generic tropes that appeal to us at that age? However accurate they began life as, teen life began to imitate teen cinema as much as teen cinema was imitating teen life.
The teen movie has an incredible cannibalistic power to teach teenagers how they should act, how they should be and how they should view the world.
One thing I noticed in the film, which is not mentioned in the narration, is the proximity of the teen movie to the horror movie. Why do you think this is? The only thing the teen genre has in common with all the films across it is that they take place in the same environment and they have graduations, prom nights and those sorts of iconic things.
But tonally they completely run the gamut. You have teen horror movies, comedies, dramas, sci-fi — every imaginable genre really. What do you make of the current state of the teen movie?
Do you think the teen movie in its classical form is over? Teen movies always seem to come in waves. Which is exactly what it should do; it happened with Kids , it happened with The Breakfast Club , it happened with Rebel without a Cause Kids My favourites are always the ones that are not necessarily the biggest but really struck a chord with me. The big one for me was always EuroTrip I saw it when I was 14 and it had a very striking impact on me for all the reasons that a 14 year-old would like that film.
Then I saw it again at about 17 and this slight creeping sense of unease set in; and then again at 20 and that was the initial spark that made me want to explore the ideas in Beyond Clueless. There is something really self-analytical about rewatching films you loved as a teenager and wondering what the hell you were thinking. There are a few films from our film in there, in fact — Kids, Thirteen and Nowhere — and I think all of them capture what I was just talking about.
They were all greeted with incredible backlash from adult audiences at the time and yet were devoured hungrily by teenagers — Kids especially.
To see how they feel now and how much of that sense of anger and rebellion they still hold. Thirteen So fetch: straight films, queer appeal. James Dean, teenager. Behind the scenes: Rebel without a Cause. Teen dreams: Mat Whitecross on Spike Island. Six film teenagers we wanted to be.
From girlhood to adulthood: six French films about sexual awakening. Back to the top. Teaching film, TV and media studies.
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Golden teen movies. Network Videos
From ‘Cruel Intentions’ to ‘She’s All That’: Why Was the Golden Year of Teen Movies
Review by David Jenkins daveyjenkins. This sublime teen romance evokes the heady passions that come from choosing between love and learning. The first is a short and simple recollection of youth as intoned to a semi-clad bedside companion, offering hearty context for the ensuing two chapters.
Dedalus recounts the tale with fond enthusiasm, knowing full well that his reckless abandon as a teenager could hardly be held against him now. The final and largest part of the film charts the tumultuous, provincial love affair between young, up-for-anything Paul played by Quentin Dolmaire and the lissom local man-eater Esther Lou Roy-Lecollinet , who is two years his junior.
Memory is presented as a form of natural magic, and the question of reliability is moot because the character of Paul has been sculpted as to be coldly rational and free of self-consciousness, yet totally trustworthy.
A bizarre choice of opening film for the Cannes Film Festival, but also an invigorating and impulsive one too. Little White Lies was established in as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Reviews Features Podcast Magazine Shop. Share this. This director certainly has his off films, but the good ones are sensational. And this is one of his absolute finest.
Such mastery, such passion, such control. In Retrospect. Don't be put off by the subtitles — this is one of the great modern teen movies.
Sign up to our weekly newsletter. Reviews Features Podcast. Magazine Shop Submissions. Subscribe to the LWLies newsletter. What are you looking for? About Little White Lies Little White Lies was established in as a bi-monthly print magazine committed to championing great movies and the talented people who make them.