A Hollywood star who had a fascinating run as an independent filmmaker, Lupino bucked that system and, in doing so, took control of her life in movies. Their inaugural number, a cornily amusing romantic duet-duel with clattering swords, proves that they have what the audience wants. Her father Herbert Butterfield secures her a private room in a rehabilitation center, where much of the story takes place. There, Carol struggles physically and psychologically, pushing and pulling at Guy and endangering their future dreams. For inspiration, Lupino drew on a physiotherapist she had known at the real rehab center where the movie was set, the Kabat-Kaiser Institute in Santa Monica, Calif.
Tom Morris Jr. Where to Watch. She described her independent work as "films that had social significance and yet were entertainment Marion McKinnon. Simon Ennis is the writer-director of the feature moves Lunarcy!
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Ida Lupino 4 February  — 3 August was an English-American actress, singer, director, and producer.
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I see myself developing new talent, which would be furiously interesting for me. For I love talent. Love to watch it. Love to help it. Though Lupino has been regularly cited as a pioneering female filmmaker—she was the second woman admitted into the DGA after Dorothy Arzner—her other directorial efforts remain overlooked. It also turned out to be a nitrate print, so safety regulations mandated a DigiBeta transfer.
The tennis-circuit mother-daughter face-off Hard, Fast and Beautiful , meanwhile, was presented via a DCP of a print missing nine minutes of the original cut.
Are the materials for the spotless and complete DVD transfer made by Warner Archive some years ago blocked? Lupino was part of an international wave of actresses who became professional directors within a decade around the end of World War II, the best known being Tanaka Kinuyo—famous for her indelible performances as long-suffering heroines in many a Mizoguchi movie—whose US visit in autumn was a turning point in her career.
Back in , Bodil Ipsen—a theatre and screen star since the silent days—had done the same for Denmark with Derailed co-directed by Lau Lauritzen, Jr. Even before her full-fledged noir The Hitch-Hiker , Lupino worked with comparably shadowy moods: witness the existence-shattering rape that opens Outrage , which turns a woman into a pariah as an uncomprehending society is unable to deal with the taboo subject of her violation.
But this complex of groundbreaking female-filmmaking self-assertion must wait for another occasion. You have the role. And I have a. I determined the story, shocking though it was, had to be brought to the screen. Her attempt to show a true-to-life, racially diverse boarding home was nixed by the investors. With this first film, Lupino established an unaffected tone that obliquely aligned with various realist-humanist postwar movements—and it was her tone, as evidenced by the four Filmakers productions not directed by Ida.
Never Fear proposes a similar dilemma to that of Not Wanted. In Never Fear , a touching, unsettling scene simply shows a square dance in wheelchairs at the polio centre. While accurately rendering milieus, Lupino uproots the notion of normality, making for stunningly ambivalent evocations of the times. About to divorce Young, though their working relationship continued, Lupino soon entered another difficult marriage with actor Howard Duff.
The fact that Fontaine was the second Mrs. Adams and Eve she and her estranged husband Duff essentially played versions of themselves, and then topped it by doing guest-star turns as themselves, period, in a installment of The Lucy-Desi Comedy Hour. But Lupino preferred directing four TV episodes to acting in one which netted the same salary , and became one of the Hollywood pros who migrated to the small screen along with the B pictures themselves, as a new medium inherited their function and production facilities.
One thing is for sure: on the set, Ida was Mother. Can you do it? It sounds kooky, I know. But can you do this for Mother? Fittingly, the working title was Mother Superior , after the key character, imbued by Rosalind Russell with a Lupinian mixture of reserve and compassion. Muir , with a dream project about actress Frances Farmer remaining a dream.
The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies.
This is the archive of articles selected from the print version of Cinema Scope magazine.
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Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, ) • Senses of Cinema
Sign in. Watch now. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Up 36, this week. Ida Rubinstein was a Russian actress, dancer and director. Her performance in a private showing of "Salome" in created a scandal in conservative Russia when, in the course of her performance of "The Dance of Born: October 5 , in St.
Petersberg, Russia. Died: September 20 , age 74 in Venice, Italy. Filmography by Job Trailers and Videos. Share this page:. Bisexual Men and Women. Jewish actresses. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Ida Rubinstein's work have you seen? Known For. La nef Basiliola. Le jardin sur l'Oronte Actress. Edit Did You Know? Star Sign: Libra. Edit page. Clear your history. IMDb Everywhere. Follow IMDb on. DPReview Digital Photography.
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